Friday, July 15, 2016

Summertime=Colortime

A photo posted by Rick Scheibner (@hermistonphotos) on

I've been hoarding some color film since last year with the idea of shooting just that over this summer. Several rolls of 120 and 135 in, I'm ready to start processing. This is the roll of Ektar from that trip. Not great light, but this was more of a chance to burn it, develop it myself, and see how it went. I have no reason to complain, especially since it sat in the first pre-soak water longer than instructed, due to an error on my part. These were taken at Wallula Gap in SE Washington State, and Hat Rock Park in NE Oregon.  More pics coming as I get them developed.






Monday, May 16, 2016

Eastman Double-x (5222)

The good folks at the Film Photography Project were kind of enough to throw in a short roll of Eastman Double-x with an order awhile back. I had shot it then put it away, and forgot about processing it until just recently. I can't imagine this ever being a go-to film for me (and certainly not for landscapes), but it does have an interesting tonal range to it.
Palouse Falls

Port Kelley from Twin Rocks, SE Washington State

Twin Rocks.  This was an end of the roll that created an interesting edge.  

Saturday, May 14, 2016

Ilford Delta 100



Ilford Delta 100 in d-76 1:1.  I plan on bulk loading and using more of this film in 35mm format this summer.

Monday, February 15, 2016

Hat Rock: Velvia 50

Fujichrome Velvia 50 on Mamiya C330 w 80mm f/2.8 lens. 
Just doing a test run with some Velvia. Processed by Blue Moon Camera in Portland, Oregon.

Wednesday, January 6, 2016

2016 Directions

I've been about this film business for about three years now. As the door has closed on 2015 and opened on 2016, I've given some thought as to what this year could look like for my photography output. That goes for both film and digital.

I found myself doing a lot of portraits in 2015, far more than I had intended. There were 10 seniors alone on my list, which is actually a big year for me. Especially considering that I didn't really set out to be a portrait guy until I started getting asked a few years ago. All that said, where do I want to put the bulk of my creative energies? And how much film (and what kinds) vs. how much digital?  Here are some of my guiding thoughts as I begin to map out a 2016 shooting season:
  • At least two trips to the Palouse, one in May, one TBD. I've got a 400mm reserved for the May trip.  The Palouse region of Washington State is only a couple of hours from where I live in NE Oregon, but I don't get there near enough. I've got some Velvia 50 set aside and a warming filter just for the purpose. 
  • More chrome film in general. Fuji has a habit of removing stocks without warning, so I should buy up some of their E-6 and shoot it while I still can. 
  • More local trips, especially to close-by Hat Rock. I'd like to do a seasonal series there. That was the location of my very first photo trip with my new dslr back in 2008. I haven't been back for landscapes much lately, and I need to change that. 
  • A trip to the Alvord Desert in SE Oregon, probably mid to late June. 
  • Black and white film: I'm on my last brick of 35mm Tri-x. As much as I like this particular stock, I'm finding that I'm not in a hurry to replace it. I have a few boxes of it in 120, which will be plenty for now. Do I shoot more 120 and less 35mm?  That remains to be seen. I might take another look at TMAX, or at one or two of the Ilford stocks. 
  • Fewer portraits. I'm not going to turn anyone down who asks, but I'm not necessarily going to go out and pound the pavement for them. I'm honored every time somebody asks me; it's just not going to be a major part of what I do this year.
And tying it all back to film (which is the purpose of this blog), I want to be more purposeful in what gets committed to film in 2016. With an eye toward printing, optical or otherwise. Here are a couple of locations that I've mentioned that I'd like to shoot on film in 2016:


Steptoe


Alvord Sunset

Sunday, January 3, 2016

Three Holiday Macros

Tri-x in d-76, 1:1. 14mm macro tube used with 50mm lens.

Just wanted to get in a few holiday macro images before the season was completely over.

Angel on Tri-x

35mm Tri-x in d-76 1:1. 50mm lens on 14mm macro tube. 

Friday, January 1, 2016

Sprocket Hole Photography

Tri-x in d-76 1:1. Sprocket hole photography. 
I spooled some 35mm Tri-x onto some 120 reels and ran it through my Mamiya C330. It worked ok for sprocket hole photography, but I think next time I might cut some reel ends and attach them to the 35mm cartridges to run the film through a little straighter.

Wednesday, November 25, 2015

Wednesday, August 5, 2015

Tuesday, July 21, 2015

Susan

Tri-x @400 in d-76 1:1.  Taken at the historic Eureka Inn in Eureka, California. 

Friday, June 12, 2015